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| See original post at artistmotherteacher.com |
In a video series put on by Barnes & Noble (find it on YouTube here), Paul Simon made a comment that stuck with me. He said that music can be cliche. For some reason, I had only considered words and phrases to be potentially overused. But when he made the comment, I realized that I have certain paths that I default to in my creativity. "In this situation, do that..." and "In that situation, do this."
Living about 3,000 years ago, King Solomon may have been the first co-writer we know of. Yes, that may be purely speculation, but here's why I think so:“Two people can accomplish more than twice as much as one; they get a better return for their labor. If one person falls, the other can reach out and help.”
“As iron sharpens iron, so one man sharpens another.”Keep writing (and co-writing),
A few weeks ago, fellow songwriter Kyle Nelson asked this question:
One of the important aspects of knowing your co-writers' strengths is so that you know who would be best suited to finish any given idea you come up with. I would encourage you to keep an organized list that you can look to the morning of a co-write. Every co-writing relationship is different, but I find it usually helps to have some idea that launches the creative process into motion.
Patience is kind of boring. I want to write a song in the morning, email it to my publisher in the afternoon and hear the song on the radio by evening. That, of course, isn't how it works. "Hurry up and wait" is the saying on Music Row.

I had coffee recently with a publisher here in town. One of the things he said to me that stuck was that, in general, we all take the business too seriously.