Wednesday, May 23, 2012

Hitting "Pause"

Untitled This is just a quick message to say thank you to all of you who keep up with The Songbird Project. I am also writing to let you all know that I will be taking a few months to focus on the arrival of our first kid (due in June).

This is officially the 400th post on this blog, and I've really enjoyed processing the journey with you guys.

In the meantime, please send any ideas for posts or interesting videos or thoughts on songwriting/art/creativity to TheSongbirdProject@gmail.com.

Keep writing!

Ben

Monday, May 21, 2012

Auralex to the Rescue!

As some of you may know, my wife and I are expecting our first kid in June. It became clear pretty quickly that, as our second bedroom, my writing/recording room was to become the nursery. Thankfully, we had some space in our basement that showed potential for becoming a devoted space for creating music.

There was really only one main problem: with concrete/plaster walls, the room basically acted as a rectangular reverb chamber. It was obvious that something needed to be done to address the acoustic situation. This is where Auralex came in.

Here are some pictures of the basement room before I brought in my recording equipment:




We decided to start by repainting the walls a more vibey green color (these pics were taken while the paint was still drying):




Here's where the Auralex came in, along with my recording setup:

My new man cave!

My co-writer's seat

The vocal booth, enclosed by movable Auralex ProMAX panels

The Mopads were the perfect thing to separate the monitors from the stands, isolating the vibrations

I suspended the foam from the ceilings with these gold hooks

Eric Smith from Auralex

Not only does the new setup look cool, it actually encourages creativity. I've been told that it's easier to focus when there are less rogue sound waves bouncing around the room, and I've experienced that to be true. I've never heard the stereo image like I have in the past couple months. My mixes are improving, and I'm enjoying listening to music more now than I have in the past couple years. 

The room's acoustics are so tight now that, one day, I noticed what sounded like a static problem in my left monitor only to discover that I was actually hearing a candle burning on my desk. That's a good sign of an accurate acoustic environment!

If you have a dedicated space for writing/recording, I highly encourage you to invest in the room's acoustic treatment. If you can't accurately hear what's coming out of the monitors, you'll have trouble competing with those who have a proper setup. Check out Auralex.com for ways that you can turn your room into a space that serves your creativity. Treat yourself to proper acoustic treatment!

Keep writing (a treating acoustics), 
Ben


Friday, May 11, 2012

Joshua Ledet - When a Man Loves a Woman

Here is one of the standout performances from this year's American Idol competition. Hard not to get chills listening to this guy sing!

Thursday, May 3, 2012

On Avoiding Mistakes

UntitledDon't be afraid to make mistakes. The fear of being imperfect or sounding silly will paralyze your creativity, not allowing you to find the needles of greatness in the haystack.

I think it's far better to just accept the fact that we will make mistakes. This way, when they happen, we can see it as a learning and growing opportunity. Over the long run, enough mistakes will result in a lot of successes.

Keep writing (and learning),

Ben

Wednesday, May 2, 2012

Leading or Following?

“Innovation distinguishes between a leader and a follower.”

- Steve Jobs


  Untitled

Wednesday, April 25, 2012

Alive Inside



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Monday, April 23, 2012

Constructing Songs, by Neal Carpenter

Here is a guest post written by my friend and co-writer, Neal Carpenter:

Untitled Lately, I've thought a lot about the idea of a songwriter essentially being a construction worker or architect. While not an exhaustive metaphor and not an ultimate answer, I still think it's helpful. Obviously, this is not a new idea. We call songwriting a "craft," and we refer to our "tools," etc., but lately I've thought about it in more physical, tangible terms.

I've imagined the song as a structure I'm building right in front of me, piece by piece. I see the phrasing of a verse like the perfectly spaced beams in a wall. I see the emotional momentum of the chorus and the placement of a hook (if we use that design) as a roof structure. I think maybe I'll add a back porch with this bridge I'm working on. Some songs are revolutionary in their design with many intricate parts and would look very fascinating if we could see them as buildings. Other songs are very simple using large beams and timbers, yet solid and inspiring all the same. So everyday we are showing up, handling the materials, shaping, cutting, fitting them into place. We use our mouths to try out the words, feel their shape. We see it all happening on the page (one reason I like to write on real paper, but that's another discussion.)

Some days we realize we spent all day building a flimsy structure with poor materials all thrown together. Some days something very solid and fresh happens with little effort and we feel as though the only labor needed is a little sanding and slight re-shaping. Some of us may be lucky enough to find an idea, a design, that we know will change the landscape if we do the work to build it. We are, in a sense, building cities and towns with our work each day.

Is the structure sound inside and out? Are you wasting all your time watching your neighbors build and simply copying them? Are you taking any risks or trying out new designs? Are throwing things together for some quick recognition or are you trying to build something that will stand the test of time?

Friday, April 20, 2012

Goodbye, Levon

The drummer from The Band has sadly passed away. Here is one of many moments worth remembering from The Last Waltz:

Thursday, April 19, 2012

The Reward of Overcoming Fear



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Monday, April 16, 2012

Wonder Bubbles



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Thursday, April 12, 2012

Annie Dillard on the Daily Schedule



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Wednesday, April 11, 2012

Penguin Cafe Orchestra

Lately I've been enjoying the music of Penguin Cafe Orchestra. Very cool classical melodies and perfect background music. Here's an interesting quote on Wikipedia from Simon Jeffes about the forming of the group:
"In 1972 I was in the south of France. I had eaten some bad fish and was in consequence rather ill. As I lay in bed I had a strange recurring vision, there, before me, was a concrete building like a hotel or council block. I could see into the rooms, each of which was continually scanned by an electronic eye. In the rooms were people, everyone of them preoccupied. In one room a person was looking into a mirror and in another a couple were making love but love-lessly, in a third a composer was listening to music through earphones. Around him there were banks of electronic equipment. But all was silence. Like everyone in his place he had been neutralized, made grey and anonymous. The scene was for me one of ordered desolation. It was as if I were looking into a place which had no heart. Next day when I felt better, I was on the beach sunbathing and suddenly a poem popped into my head. It started out 'I am the proprietor of the Penguin Cafe, I will tell you things at random' and it went on about how the quality of randomness, spontaneity, surprise, unexpectedness and irrationality in our lives is a very precious thing. And if you suppress that to have a nice orderly life, you kill off what's most important. Whereas in the Penguin Cafe your unconscious can just be. It's acceptable there, and that's how everybody is. There is an acceptance there that has to do with living the present with no fear in ourselves."


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Tuesday, April 10, 2012

Quote of the Day - Disney

"Don't insult a kid--don't write down to the kid; and don't write just for the adult." 

- Walt Disney to the Sherman brothers, a songwriting duo who penned some of the best children's music of all time


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Monday, April 9, 2012

"Happy Working Song" from Enchanted



Lyrics | Amy Adams - Happy Working Song lyrics

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Friday, April 6, 2012

The Rest

The best jazz soloists know how to utilize the power of space. The notes they play are enhanced by the space that surrounds them.

In the same way, I believe it's important to take time to rest in the rhythm of work. Here are some ways I try to incorporate rest into a busy work schedule:

Daily - take time to read or take a walk outside
Weekly - set aside one day to
Monthly - take one weekend to get out of town
Yearly - step away from creating for at least two consecutive weeks twice a year

With consistent rest comes a renewed enjoyment of creating.

Keep writing (and resting),
Ben

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Would you or someone you know like to go on a songwriting retreat with industry professionals? Visit SongbirdCamp.com for more details!

Thursday, April 5, 2012

Take a Bow!



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Tuesday, April 3, 2012

Hard Drive "What is Love?"



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Monday, April 2, 2012

Productivity Problems

Productivity is often a false currency. It makes us feel better off than we actually are. Productivity sees the present moment as an opportunity to maximize future potential.

"I can really get ahead if I get ______ done today." 

Expectations are often the enemy of joy. What I mean is, expectations are often built on the idea that I will only be happy if a certain outcome is accomplished.

But in reality, how often does life actually go according to plan? Cars break down, people disappoint, rains fall. Only by a willingness to allow for unexpected day-to-day change can we enjoy the moment we are currently in.

Keep writing (and keep open hands),
Ben

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Friday, March 30, 2012

Rolling in the Deep



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Thursday, March 29, 2012

Risk/Reward


This week I'm reminded about how much art and creativity, especially when paired with business, is based on opinion.

What is a good song?


What is a great song?


What is a bad song?

To be a creator in such an environment takes courage and resilience. The songwriter must, must, must pour their entire heart and soul into each and every song they write. Nothing can be held back in fear. The easiest way to hold back creativity is to rely on a tried and true form (or formula) of creating. This is where originality is abandoned in hopes of safer ground. Be bold and don't be afraid. There is treasure to be found.

Keep writing (and exploring),
Ben




Wednesday, March 28, 2012

Otters vs. Butterfly

Just for fun...




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Tuesday, March 27, 2012

Quote of the Day - Rand

"A creative man is motivated by the desire to achieve, not by the desire to beat others."

- Ayn Rand


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Monday, March 26, 2012

Synchronized Gymnasts



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Friday, March 23, 2012

A Lesson in Collaborating

From Stephen R. Covey's "7 Habits of Highly Effective People"

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Thursday, March 22, 2012

The Beatles - "In My Life"



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Wednesday, March 21, 2012

Co-writer Characteristic #7 of 10: Preparedness

Know yourself. It's that easy, and it's that complicated.

Knowing yourself allows you to best be prepared to show up and create with another person. Not only will you have a clear view of your own strengths and weaknesses, but you'll sense how your unique creative vision and voice can blend with a collaborator's. You will be able to mutually enhance the song by entering into each other's creative space.

Being prepared includes: 
  • Getting a good night's sleep 
  • Keeping an organized schedule 
  • Researching your co-writer's style and voice 
  • Keeping a list of melody and lyric ideas to use as a launching point for a song 
  • Showing up on time 
  • And the list goes on... 
The most prepared songwriter will write the best song possible. 

Keep writing (and preparing),

Ben

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Tuesday, March 20, 2012

The Joy of Books

This took commitment.



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Monday, March 19, 2012

Quote of the Day - Camus

"The society based on production is only productive, not creative." 

- Albert Camus


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Friday, March 16, 2012

Avoiding Distortion

Back when tape machines were the main way to record audio, it was important to get as loud of a volume to tape so that the signal to noise ratio would be as high as possible. There was a little thing called "hiss" that wasn't the most pleasant thing to hear in a song. When it comes to digital recording, it's now possible to raise the volume gain within software without adding noise to the track. This being said, the last thing we need to try to do when recording is have the volume level right up to the edge of distortion. With tape, a little distortion sort of sounded cool (ie, "Ain't No Mountain High Enough"). But digital distortion doesn't really have much artistic value. 

Just make sure you're not maxing out the input level and causing distortion on the track. If you have an undistorted recording that's pretty well in time and in pitch, you can always have someone else help mix it later on.

Keep writing (and recording),

Ben

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Thursday, March 15, 2012

Mihaly Csikszentmihalyi: Creativity, fulfillment and flow

Say that name five times fast.



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Wednesday, March 14, 2012

Quote of the Day - Jobs

"Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn't really do it, they just saw something. It seemed obvious to them after a while. That's because they were able to connect experiences they've had and synthesize new things." 

- Steve Jobs


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Tuesday, March 13, 2012

Nashville Day/Night



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Monday, March 12, 2012

10,000 Hours

10,000 hours. That's how long Malcom Gladwell says in his recent book, Outliers: The Story of Success, it takes for someone to master a craft.

The Beatles did it performing live in Germany before they reached world fame. Bill Gates did it in a computer lab while he was in high school. And you can do it too.

Broken down, 10,000 hours is roughly 2,000 co-writes (considering the traditional co-write time of five hours, about 10:30am to 3:30pm). Let's be honest. It takes years to become an expert co-writer. But the cool thing is, a lesser-experienced co-writer can write a better song on any given day than an expert co-writer. Basically, an amateur can hit the bull's eye on a lucky shot, but an expert will have better aim and more control over where their arrow lands. And the more control over where the arrow goes, the more fun the creative process becomes.

Keep writing (and aiming at the bull's eye),

Ben

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Friday, March 9, 2012

A Little Magic

This is how to engage an audience. A great performance should leave the audience in amazement...




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Thursday, March 8, 2012

The Life & Work of Robert Sherman

The songwriting world lost one of the greats a couple days ago. Robert Sherman, along with his brother Richard, penned some of the most memorable songs of all time.

If you have ten minutes, I highly encourage you to listen to NPR's recent story at their website.

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Wednesday, March 7, 2012

Jonsi - "Go"

One of my favorite artists as of late:




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Tuesday, March 6, 2012

Interview with Luke Laird

In a recent interview, songwriter Luke Laird shared insights into his journey from Conneaut Lake, Pennsylvania to the top of the country charts.


Read the full article here.

Brittany, Barry Dean, Luke Laird and me at October's Songbird Camp


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Monday, March 5, 2012

The Disappearing Car Door

Here is another example of re-imagining an everyday object:




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Friday, March 2, 2012

Quote of the Day - Einstein

"To raise new questions, new possibilities, to regard old problems from a new angle, requires creative imagination and marks real advance in science."

- Albert Einstein


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Thursday, March 1, 2012

Seminar @ Belmont

Last week Gordon Kennedy and I spent an hour with Belmont students, singing songs and telling stories. Basically, we had a mini Songbird Camp experience!


02.22.2012 Ben Cooper & Gordon Kennedy-1 

 Check out more photos from the seminar here.

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Wednesday, February 29, 2012

Igudesman And Joo: 'I Will Survive'

Here's a great example of having fun with music. In addition to watching the video, listen to the original story that aired on NPR a couple weeks back.



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Tuesday, February 28, 2012

Why Recording Matters

One of the realities of the music industry is that you can't rely on anyone else's imagination to fill in any recording quality deficiencies. As some would say, you almost have to spoon feed your song to the listener.

Consider this scenario: you have written a great song and used GarageBand or your cell phone to record a rough work tape. You march into a publisher's office and tell them you've created the best thing since sliced bread. They turn the speakers up, hit "play", then hit "stop" 30 seconds in. They didn't even make it to the chorus. Instead, they take out your CD and pop in a song from another writer that they're excited about. What comes through the speakers may sound better to the ears, due to the fact that the song was recorded well in ProTools or Logic. But deep down you know that your song was better than the one the publisher enjoys listening to.

How do you avoid a scenario like the one above, where a worse song gets attention because it sounds better? Focus on getting a great, clean home recording. If you track even just a piano/guitar and vocal well, you could even use those recordings as the foundation for a full-band track.

If you're interested in taking the next step in setting up your home studio, I would highly recommend picking up a copy of Mike Senior's Mixing Secrets for the Small Studio. It has helped me take very practical steps in improving my own setup, and I'm sure you would benefit as well.

Keep writing,
Ben


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Monday, February 27, 2012

Songbird Camp - Spring 2012

Just a reminder that we are currently accepting applications for our April 20-22 retreat, which we're hosting at Deer Run Retreat.

Popular singer-songwriter Matt Wertz and veteran songwriter Gordon Kennedy (Eric Clapton's "Change the World"), among other industry professionals, will be stopping by throughout the weekend to share their experiences and music. We'll also hear from an incredible recording engineer, an entrepreneur, publishers and an expert on collaboration -- more details on those to come!

If you're interested or you know someone who would be a great candidate for the retreat, be sure to apply soon, as we have fewer than 30 available spots, and we want you to get the early bird special. Gourmet food by a private chef, a comfy bed, inspiring people, time with industry pros, live music around the campfire, American Apparel T-shirts -- what more could a songwriter want?

Click the picture below to go to the Songbird Camp website and download the application to apply. 



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Would you or someone you know like to go on a songwriting retreat with industry professionals? Visit SongbirdCamp.com for more details!

Friday, February 24, 2012

Belmont @ the Bluebird



The wonderfully talented Ginny Owens, Gordon Kennedy, Dennis Matkosky and Rob Blackledge on 2/14.

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Thursday, February 23, 2012

This is Brighton - by Caleb Yule

"To Build a Home" by The Cinematic Orchestra is the song behind the film, and it's a great one. I love the way the film maker shot this to look miniature. Makes me realize how small I am compared to the entire world and universe. Cool thing is, each of us still matters.

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Would you or someone you know like to go on a songwriting retreat with industry professionals? Visit SongbirdCamp.com for more details!

Wednesday, February 22, 2012

Dave Grohl's Grammy Acceptance Speech

"To me this award means a lot because it shows that the human element of music is what's important. Singing into a microphone and learning to play an instrument and learning to do your craft, that's the most important thing for people to do... It's not about being perfect, it's not about sounding absolutely correct, it's not about what goes on in a computer. It's about what goes on in here [your heart] and what goes on in here [your head]." 

- Dave Grohl, after accepting Grammy award

Read more about his speech here.

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Tuesday, February 21, 2012

Can You Teach Songwriting?



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Monday, February 20, 2012

Violinist in the Subway

Here is a fascinating story about an accomplished violinist playing music for people in the subway. Isn't it amazing how we can easily just walk right past beauty when we're just too "busy" to stop and listen?

Keep writing (and listening),
Ben

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Would you or someone you know like to go on a songwriting retreat with industry professionals? Visit SongbirdCamp.com for more details!

Friday, February 17, 2012

Quote of the Day - Emerson

"Love of beauty is taste. The creation of beauty is art." 

- Ralph Waldo Emerson 



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Thursday, February 16, 2012

Guitar Sling Gone Wrong



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Wednesday, February 15, 2012

Artistic Leadership

Humilitas: A Lost Key to Life, Love, and Leadership

 By John Dickson

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Tuesday, February 14, 2012

L-O-V-E



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Monday, February 13, 2012

The Fantastic Flying Books of Mr. Morris Lessmore



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Friday, February 10, 2012

Quote of the Day - Einstein

"True art is characterized by an irresistible urge in the creative artist." 

- Albert Einstein


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Thursday, February 9, 2012

Speedy Street Art



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Wednesday, February 8, 2012

Grains of Sand Up Close

IHave you ever taken a close look at grains of sand? Assuming they were all just boring little brown pebbles, I must admit that I never really imagined that they would really contain many intricacies. However, these recent images of sand (zoomed in 250x) blew my little assumptions out of the water.

Like grains of sand on the shore, the best song ideas are available to all. However, these unique song ideas are only discovered by those who look hard enough. And so it is that the only ones who find are those who seek. 

Keep writing,

Ben


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Tuesday, February 7, 2012

Kelly Clarkson Sings Anthem at Super Bowl

The Super Bowl game itself was great (especially for Colts fans), but my favorite part of the evening may have been before the Patriots even kicked off. This is such a cool rendition of the national anthem, incorporating complex timing and unique choral structures. And then, of course, Kelly Clarkson:




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Monday, February 6, 2012

"Please Silence Your Phones!"

If you didn't hear about this in the past couple weeks, there was a symphony conductor who halted a performance when he heard a cell phone ring in the front row of the audience (read about it here). If you read music, I think you'll appreciate the link below.

Source: http://euge.ca/2012/01/13/interruption/

(For those of you who couldn't figure it out, the red notes are the classic Nokia ringtone.)



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Friday, February 3, 2012

New Solo Discovered on "Here Comes the Sun"

It's not often you get to hear anything new from The Beatles, so this is definitely a treat!
 



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Thursday, February 2, 2012

Thoughts on the Writing Life

Here is a wonderful look into the tension of creating in the midst of busyness:



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Wednesday, February 1, 2012

Marc Scibilia



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Tuesday, January 31, 2012

Engineer Geoff Emerick on Lyrics

In Emerick's recent book Here, There and Everywhere: My Life Recording the Music of the Beatles he makes this observation:
"For some reason, I never used to listen to lyrics all that closely. Perhaps it was because of my taste for opera and classical music that the vocal always seemed like just another instrument to me. I was attracted to it solely for the way it fit in with the backing, not for the words that were being sung. Lyrics simply never sold me on a particular song--it was the overall sound that did."
I think it's sometimes easy to get too worked up about what the lyric says that how the message is said gets lost.

Keep writing,

Ben

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Monday, January 30, 2012

Quote of the Day - Fellini

"All art is autobiographical. The pearl is the oyster's autobiography."

- Federico Fellini



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Friday, January 27, 2012

Goldfish Art



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Thursday, January 26, 2012

The Elephant in the Room

My wife and I are about 19 weeks along, expecting our first kid in June. We are incredibly excited and I'm actually looking forward to those sleepless nights. Soon after we found out we were expecting, my wife and I both knew we were going to have to discuss the elephant in the room. In our case, the elephant is my writing/recording/mixing setup and the room is our soon-to-be nursery.

One thing I'm really excited about is the fact that, for the first time, I'll have a dedicated room that's a creative space first, guest room second. When we moved into our house, this is what our guest room looked like (it used to be a little girl's room):


Then, with a little paint, new blinds and a few decorations, we ended up with this:


With the migration south into the basement, here is the room I'll be working with:


So far, we've painted the walls and have begun transitioning some of my gear to the new room:


The next step is treating the acoustics of the room. I'll keep you all up to date with the progress over the coming weeks!

Keep writing,

Ben

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Would you or someone you know like to go on a songwriting retreat with industry professionals? Visit SongbirdCamp.com for more details!

Wednesday, January 25, 2012

Full Potential

After writing full-time for the past few years, I've noticed there are ruts that each of us can fall into periodically. One of these ruts develops when we believe that there's only one grading scale that matters: commercial radio. And if we don't succeed in that arena, then we must have failed in one way or another. But is this true? No.


The conventional music business does not naturally push creators to reach their full potential beyond the boundaries of the traditional radio song. No one else will make you push yourself to meet your full potential. That job belongs to each and every songwriter.

Instead of trying to just write songs that fit into the traditional definition of  a commercial song, explore the way you approach writing your next song. Who knows--maybe you'll discover a creative direction that feels most true to who you are.

Keep writing,

Ben

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Would you or someone you know like to go on a songwriting retreat with industry professionals? Visit SongbirdCamp.com for more details!